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The Sea Wall, by Marguerite Duras
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- Sales Rank: #410379 in Books
- Published on: 1986-09
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 5.34" w x .73" l,
- Binding: Paperback
- 288 pages
Language Notes
Text: English, French (translation)
Most helpful customer reviews
11 of 12 people found the following review helpful.
The Sea Wall
By A Customer
The Sea Wall is a fine example of Duras' cinematic and romantic writing style. Like The Lover, this novel is semi-autobiographical, and is set in French colonial Indochine.It is the story of a poor widow's desperate fight against the world she is trapped in, exemplified by the sea wall she constructs to stop the yearly encroachment of the sea on her useless concession of land. Although her efforts are futile, she bravely, or sometimes absurdly, maintains hope in the midst of poverty and her children's growing restlessness.
5 of 5 people found the following review helpful.
The Sea Wall
By Steven Davis
The Sea Wall is the first of three autobiographical novels Marguerite Duras would write about her teenage years in Indochina. She lived both in Saigon (now Ho Chi Minh City, Vietnam) and on a small coastal rice plantation in what is now Cambodia. The latter is the setting for this novel.
The author's alter ego is named Suzanne. She lives with her mother, referred to only as "Ma," and her older brother Joseph. Ma and her husband had immigrated to Indochina in 1899, lured by the government's promise of easy wealth. The husband had died soon after Suzanne's birth. Later Ma had applied for a land concession, and been granted 100 acres of supposedly prime rice land. Too late, she had discovered that all but five acres of it was inundated by the sea every monsoon season. Ma had gone deeply into debt building a sea wall to keep out the salt water, only to see it collapse the very first year.
The story takes place in the early 1920s when Suzanne is 17, her brother 20. The trio are subsisting on wild game, fish, and the little rice they can manage to grow while Ma staves off her creditors and nurtures the hope of somehow rebuilding the sea wall. She pins her hopes on Suzanne, whose beauty is bound to attract a rich husband some day. Their dreams seem about to be realized when Monsieur Jo, the spoiled son of a wealthy colonist, falls in love with Suzanne. But he has no intention of marrying her, and Suzanne makes no secret of the fact that all they are after is his money.
The Sea Wall is a bleak novel. Its unlovable characters are condemned to poverty, not for lack of energy or ambition, but for a lack of vision. Ma doggedly fixates on the sea wall as her only hope and on marketing her daughter's virginity as the key to realizing it. Her two children think only of escape, but are incapable of breaking with the daily routine to find a way out.
The first half of the novel is sharply focused on the family and the affair with Monsieur Jo. In the second half, however, Duras broadens the vision to include the native population of the cities and countryside. There are gut wrenching scenes of poverty, disease, and injustice with the youngest being the ones who suffer the most. In addition to a tense family drama, the novel becomes a bitter indictment of colonialism.
Duras re-told the story of her youth in her most famous novel, The Lover, but with substantial changes in both plot and style. The Sea Wall more closely resembles the writing of Louis-Ferdinand Céline with its hard-boiled, grim and nihilistic tone.
6 of 7 people found the following review helpful.
The Sea Wall Revisited
By Clair Sheehan
Duras' 3rd novel 'The Sea Wall' revisits her own past and appears to be again autobiograpical. For those familiar with her best known work 'The Lover' it runs to a similar postcolonial format. She is believed to have written 'The Sea Wall' first and waited for her family to be gone before she could attempt to tell the truth about her youth, which, she claimed to have done in 'The Lover'. While I found 'The Sea Wall' interesting the novel did not move as smoothly as her other work and was less satisfiying in it's outcome. But as a French postcolonial text with a feminist leaning, it is very interesting especially from a comparative perspective.
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